SYLLABUS
1. The Spanish-American Novel and its Origins. Reasons for the Genre’s Late Emergence. Its Evolution and Development during the Twentieth Century.
2. Twentieth-Century Narrative: Trends and Models.
3. The Novel of the Mexican Revolution. Mariano Azuela’s Los de abajo.
4. The Novel of the Fantastic. Borges, Bioy Casares.
5. The Existential Novel. Ernest Sábato’s El Túnel.
6. The Boom in Narrative in the Sixties: Trends and Models.
7. Magic Realism and the Figure of Gabriel García Márquez. El coronel no tiene quien le escriba.
8. Documentary Realism. Mario Vargas Llosa’s Los cachorros.
ASSESSMENT
An exam will be held during the final week of the semester.
Set Readings
o Mariano AZUELA, Los de abajo. Madrid: Cátedra.
o Adolfo BIOY CASARES, La invención de Morel. Madrid: Cátedra.
o Ernesto SÁBATO, El túnel. Madrid: Cátedra.
o Gabriel GARCÍA MÁRQUEZ, El coronel no tiene quien le escriba. Barcelona: Plaza y Janés.
o Mario VARGAS LLOSA, Los cachorros. Madrid: Cátedra.
BIBLIOGRAPHY
• Fuentes, Carlos (1980) La nueva novela hispanoamericana. México: Joaquín Mortiz.
• Shaw, Donald (1981) Nueva narrativa hispanoamericana. Madrid: Cátedra.
• Several Authors (1978) Narrativa y crítica de nuestra América. Madrid: Castalia
ASSESSMENT
Two exams will be set with regard to the content of the Course.