Dramaturgy: Written to Be Spoken
Università Cattolica del Sacro Cuore
Area of Study
Creative Writing, Theater, Visual Arts
Taught In English
Course Level Recommendations
ISA offers course level recommendations in an effort to facilitate the determination of course levels by credential evaluators.We advice each institution to have their own credentials evaluator make the final decision regrading course levels.
Recommended U.S. Semester Credits3
Recommended U.S. Quarter Units4
Hours & Credits
This course is ideal for those who have an all-round interest in theatre as the programme combines the theory and practice of drama and creative development through a combination of theoretical seminars and practical workshops with Stefano Guizzi, actor of the Piccolo Teatro of Milan. The two approaches are seen not merely as complementary but as indivisible in the study of drama and theatre.
The theoretical part involves the study of drama from the printed page to the actual staging and will focus in particular on the typical Italian genre, La Commedia dell?Arte and its great influence around the world over the centuries. Students will thus explore the ways in which the changing forms of theatre and cultural shifts in Italian society have influenced the development of drama into its present diversity as well as the theoretical elements involved in the creation of performance.
Parallel to the historical and theoretical course, the actor Stefano Guizzi will be teaching practical classes, introducing the students to Commedia dell'Arte and the basic techniques of acting with masks. This part of the course will explore physical and vocal training, improvisation techniques, the use of masks on stage, and the building of a compositive dramaturgy that can lead to the actual staging of a short play, in the style of Commedia dell'Arte. We will approach the main characters of Commedia (Arlecchino, Colombina, the Magnifico, the Capitano, the Dottore...), tracing them throughout European theatre in their numerous metamorphoses. The students will practice with historical "canovacci" (scenarios) from the XVIIth Century, short scenes from Goldoni, Molière, Marivaux, and Shakespeare, until eventually, in little groups, they will write and stage their own "Scene Di Commedia".
Lectures, seminars and tutorials are complemented by scene-study workshops and field trips to milanese important theatres such as Teatro alla Scala and Piccolo Teatro.
Courses and course hours of instruction are subject to change.
Eligibility for courses may be subject to a placement exam and/or pre-requisites.
ECTS (European Credit Transfer and Accumulation System) credits are converted to semester credits/quarter units differently among U.S. universities. Students should confirm the conversion scale used at their home university when determining credit transfer.
Please note that some courses with locals have recommended prerequisite courses. It is the student's responsibility to consult any recommended prerequisites prior to enrolling in their course.