Universidad Carlos III de Madrid
Area of Study
Communication Studies, Film Studies, Mass Communications, Radio - Television - Film
Taught In English
STUDENTS ARE EXPECTED TO HAVE COMPLETED
History of cinema and the media
Course Level Recommendations
ISA offers course level recommendations in an effort to facilitate the determination of course levels by credential evaluators.We advice each institution to have their own credentials evaluator make the final decision regrading course levels.
Recommended U.S. Semester Credits3
Recommended U.S. Quarter Units4
Hours & Credits
OverviewCOMPETENCES AND SKILLS THAT WILL BE ACQUIRED AND LEARNING RESULTS.1. Knowledge of the theory and technique of documentary and TV reportage.2. Ability to plan and arrange technical and human resources in productions for cinema and TV, aswell as techniques and processes of creation.3. Ability to explore the technical and expressive potential of the moving image.DESCRIPTION OF CONTENTS: PROGRAMME- Introduction to the basics of documentary. Truthfulness, objectivity. Themes, subgenres and styles.- Planning and shooting of a documentary.- Presentation and defense of the produced piece.LEARNING ACTIVITIES AND METHODOLOGY- LecturesTheory and technique of documentary genres. Competence 1 (1 ECTS).- Practical classesGroup work. Production, directing and postproduction with the instructor¿s supervision. Competences 2, 3 and 4(2,5 ECTS).- Student workPlanning anTutored d design of production tasks and directing. Writing of an essay about the developed projects(in groups). Competence 5 (2 ECTS).Individual essay or audiovisual piece about specific issues dealing with the production and style of a documentary.Competence 5 (1,5 ECTS).ASSESSMENT SYSTEM- Final exam: 60%.- Production work / Essay / Practice and defense: 40 %.- Class participation and attendance will be taken into account to improve the final grade.end-of-term-examination: 60Continuous assessment (assigments, laboratory, practicals?): 40%BASIC BIBLIOGRAPHY- BILL NICHOLS INTRODUCTION TO DOCUMENTARY, INDIANA U. PRESS, 2001- ANTONIO WEINRICHTER (ED.) .DOC. EL DOCUMENTALISMO EN EL SIGLO XXI, FESTIVAL DE SANSEBASTIAN (edicion bilingue), 2010- MICHAEL RENOV THE SUBJECT OF DOCUMENTARY, UNIV. OF MINNESOTA PRESS, 2004- ROSENTHAL Y CORNER (EDS.) NEW CHALLENGES FOR DOCUMENTARY, MANCHESTER U.PRESS, 2005- CATHERINE RUSSELL EXPERIMENTAL ETNOGRAPHY, DUKE U.PRESS, 1999ADITIONAL BIBLIOGRAPHY- RHODES y SPRINGER (EDS.) DOCUFICTIONS, McFARLAND, 2005- TIM CORRIGAN THE ESSAY FILM, OFORD U. PRESS, 2011- MICHAEL STRANGELOVE WATCHING YOUTUBE, U. TORONTO PRESS, 2010- JUHASZ, LERNER (EDS.) F IS FOR PHONY, U. OF MINNESOTA PRESS, 2006
Please note that there are no beginning level Spanish courses offered in this program.
Courses and course hours of instruction are subject to change.
Eligibility for courses may be subject to a placement exam and/or pre-requisites.
Credits earned vary according to the policies of the students' home institutions. According to ISA policy and possible visa requirements, students must maintain full-time enrollment status, as determined by their home institutions, for the duration of the program.
ECTS (European Credit Transfer and Accumulation System) credits are converted to semester credits/quarter units differently among U.S. universities. Students should confirm the conversion scale used at their home university when determining credit transfer.
Please reference fall and spring course lists as not all courses are taught during both semesters.
Availability of courses is based on enrollment numbers. All students should seek pre-approval for alternate courses in the event of last minute class cancellations
Please note that some courses with locals have recommended prerequisite courses. It is the student's responsibility to consult any recommended prerequisites prior to enrolling in their course.