Creative Writing Now

Queen Mary, University of London

Course Description

  • Course Name

    Creative Writing Now

  • Host University

    Queen Mary, University of London

  • Location

    London, England

  • Area of Study

    Creative Writing, Literature

  • Language Level

    Taught In English

    Hours & Credits

  • UK Credits

    15
  • Recommended U.S. Semester Credits
    1
  • Recommended U.S. Quarter Units
    1
  • Overview

    Course description:
    This course explores contemporary examples and practices of creative fiction, nonfiction, and poetry and draws upon some of the formal and political motivations of contemporary English-language literature for its content. It is particularly suited to Summer School students looking to develop their creative voice independently and alongside their existing critical writing skills. It teaches students to explore distinct narrative and/or poetic voices and techniques and issue as well as learn from peer-feedback in workshop environments. What makes great storytelling now, and what makes new narrative or poetic voices so distinctive? What is challenging about writing creatively in the present moment, and how do we understand what constitutes a story or a poetic form in our own writing? This course draws on a range of contemporary literature in English, and will give students the freedom and the tools to experiment with fiction, nonfiction or poetry, and to shape their own creative voices in the process. Using a combination of writing workshops and seminar-style discussion, we will address the ways contemporary literature reckons with a world in flux (BLM, #MeToo, climate change) and invents new, experimental ways to move beyond the boundaries of literary form. Writers we will look at include Claudia Rankine, Cathy Park Hong, Patricia Lockwood, Sheila Heti, Olivia Laing, Tao Lin, Rachel Cusk and Claire Louise Bennett. The emphasis will be on developing the tools to give and receive constructive peer feedback with an effort to build craft alongside of — but separate from — the students’ existing skills in analytical reading and writing. The course is assessed by coursework submission as well as feedback participation during the workshops.

    Learning outcomes:
    On completion of the module, students can expect to have acquired:
    • a knowledge of narrative technique.
    • a critical and practical understanding of imagery, structure, and form in relation to prose fiction, nonfiction, and/or poetry.
    • an understanding of the contexts of writing in prose fiction, nonfiction, and poetry today.
    You will be able to:
    • Develop effective storytelling and poetic voices.
    • Employ imagery and a variety of storytelling and poetic forms.
    • Appraise the formal and structural elements of the text.
    • Develop a sophisticated critical understanding of narrative and poetic technique.
    • Acquire the ability to respond constructively and critically to creative work produced by peers.
    • Express yourself with confidence in writing in a range of narrative, lyrical, and critical modes.

     Assessments:
    The course assessments are not compulsory, however, if you wish to transfer credit for this course to your home university it is essential to complete the assignments.

    Preparation:
    Before you arrive on campus, it is advised that you familiarise yourself with the course content before it begins. You will be given instructions for accessing our Virtual Learning Environment (QMplus) before you arrive on campus.

    Teaching:
    The course is taught in two two-hour sessions per day (10.00 - 12.00 and 13.00 - 15.00), held Monday to Thursday each week.
    Session 1 Introduction and the how-to of a creative writing workshop.
    Session 2 Case Study: Contemporary Prose Fiction
    Session 3 Workshop 1: Getting started
    Session 4 Case Study: Creative non-fiction
    Session 5 Case Study: Poetry now
    Session 6 Workshop 2: Work in Progress
    Session 7 Case Study: The Short Story
    Session 8 Guest speaker session/masterclass
    Session 9 Workshop 3: Review
    Session 10 Case Study: Hybrid prose and the essay
    Session 11 Workshop 4: Revising
    Session 12 Workshop 5: Next steps

X

This site uses cookies to store information on your computer. Some are essential to make our site work; others help us improve the user experience. By using the site, you consent to the placement of these cookies.

Read our Privacy Policy to learn more.

Confirm